Carla Pietrobattista

Art columnist

I don’t think I have yet reached my own style in writing and I don’t even think I want to reach it so as not to end up entangled in webs created by myself. I do not love to rely on chance, but do enjoy spontaneous and sudden thoughts.

Discover the story of the Veiled Christ, a sculpture by Giuseppe Sanmartino housed in the Sansevero Chapel in Naples.

If talking about what you don’t know well is frightening, trying to convey to others what you have studied for a long time with enthusiasm and passion is disorienting, because you proceed with the constant feeling of not saying everything or at least not saying enough. Years ago, when I was still a university student, I was deeply impressed by Christian archeology not only as a matter of faith, but because when art is placed at the service of any kind of religion or religious thought, it generates artistic phenomena that involve social edification.

The search for perfection, albeit in different ways and forms, has always accompanied man throughout his growth and impacted his socio-historical imprint . Starting from ideas for the improvement and evolution of the most basic aspects of life, such as the perfecting of agricultural or construction techniques, his ambition stretched to the creation of increasingly perfect buildings and works of art.

The following article is taken from a speech given by Carla Pietrobattista on Dante Day, March 25, which is traditionally held as the day the “divine poet” started his masterpiece, the Divine Comedy. 2021 also marks the 700th anniversary of Dante’s death.

The perfect balance and harmony that govern the elements present in the church of Santa Maria in the Porclaneta in Rosciolo, Abruzzo, Italy, tends to arouse one’s curiosity with regards to its origins and history. Although much has already been said by historians and art experts, I firmly believe there are still many secrets hidden in the iconography the church is steeped in.